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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
The trickster in Herman Melville's The Confidence-Man: His Masquerade and the works of Charles W.Chesnutt
 Kyselová, Alžběta ; Robbins, David Lee (advisor) ; Procházka, Martin (referee)
Tricksters are popular cultural and literary characters which appear across regions and genres in various forms. The characters Uncle Julius from The Conjure Woman collection of short stories by Charles W. Chesnutt, and the confidence man from Herman Melville's The Confidence-Man: His Masquerade are both tricksters who are based on strong cultural backgrounds: the African(- American) religious trickster, and real life con artist William Thompson, respectively. This thesis sets out to compare the tricksters in thematic and structural elements. The origins of the literary characters help shape the readers' expectations and perception of the tricksters. Melville and Chesnutt encourage the stereotypical reading of the characters while also including an alternative one in the text. The conflict of perceptions serves to introduce a number of social topics regarding slavery in The Conjure Woman and self-reliance in The Confidence-Man, both of which ultimately point to the problematic distribution of freedom in American society. The tricksters appear both as literary characters and literary devices, corresponding with the ambiguous nature of the trickster archetype.
Detailed record
The trickster in Herman Melville's The Confidence-Man: His Masquerade and the works of Charles W.Chesnutt
 Kyselová, Alžběta ; Robbins, David Lee (advisor) ; Procházka, Martin (referee)
Tricksters are popular cultural and literary characters which appear across regions and genres in various forms. The characters Uncle Julius from The Conjure Woman collection of short stories by Charles W. Chesnutt, and the confidence man from Herman Melville's The Confidence-Man: His Masquerade are both tricksters who are based on strong cultural backgrounds: the African(- American) religious trickster, and real life con artist William Thompson, respectively. This thesis sets out to compare the tricksters in thematic and structural elements. The origins of the literary characters help shape the readers' expectations and perception of the tricksters. Melville and Chesnutt encourage the stereotypical reading of the characters while also including an alternative one in the text. The conflict of perceptions serves to introduce a number of social topics regarding slavery in The Conjure Woman and self-reliance in The Confidence-Man, both of which ultimately point to the problematic distribution of freedom in American society. The tricksters appear both as literary characters and literary devices, corresponding with the ambiguous nature of the trickster archetype.
Detailed record

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